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Kitesurfing Magazine

Unclaimed profile

About this organization

Kitesurfing Magazine presents itself as North America's leading kiteboarding publication. Its About page credits John Bryja, who created SBC Kiteboard, traces the roots of the title to 2000, and says that in 2015 it took over the subscriber and digital assets of both magazines. The publisher is listed as Kitesurfing Magazine Inc. Since that consolidation it has been web-first. The editorial mix is long gear reviews, travel guides, instruction and news, with interviews of professional riders running through it. The North American focus shows up in the details: reviews weigh conditions and pricing on that side of the Atlantic, and the travel writing leans towards destinations reachable from US and Canadian airports. Anyone tracing the history of kite media in North America ends up here, because this is where the SBC Kiteboard line continues.

Primary market: North America

Why this profile is here

Two of the entries in this directory are the same story at different dates: SBC Kiteboard is where it started, Kitesurfing Magazine is where it went. Keeping both makes the succession readable instead of leaving a dead title with no explanation. Reviews and verdicts stay with the magazine.

Topics

Gear reviews Travel Technique News Interviews

What riders can do here

Based on the details listed for this profile.

Kite media

Common questions

What does Kitesurfing Magazine cover?

The topics recorded on this profile: gear reviews, travel, technique, news and interviews. Its primary market is listed as North America. Its listed reach is online.

Who maintains this profile?

For now the KitesurfingOfficial editors, who built the entry from public sources. Anyone who works at Kitesurfing Magazine can claim it and take the details over, and anyone at all can suggest a correction.

Profile stewardship

History

History

The story behind Kitesurfing Magazine

Founded by John Bryja (creator of SBC Kiteboard), Kitesurfing Magazine traces its roots to 2000 and in 2015 absorbed the subscriber and digital assets of both titles, later moving to a web-digital format.

Source